STUDENICA


Built by Stefan Nemanja after his ascent to power, the church is mentioned in his son St. Sava's history of his father. Over time, other monarchs contributed icons and buildings to the church complex, including King Radoslav's chapel from 1234. Studenica also contains rich decorative carvings in the Romanesque style.

The painters of Studenica were brought from Constantinople in 1209 by the royal monk, Sava Nemanjic. Large in scale, with individualized features and fluid, plastic forms, they reflect the late form of Byzantine painting under the Comnenii dynasty that was to pave the way for the future and final flowering of Byzantine art are under the Palaelogos. Though there is much religious imagery, the theme of the frescoes is the glorification of the Nemanjic dynasty.


The Infant Mary

The king's Church at Studenica was built by King Milutin, the greatest patron of the arts among the Serbian monarchs. Completed in the early 1300s, these paintings are of the same stylistic school as those at Sv. Kliment in Ochrid. The figures are expressive, with full drapery, but most of all the works are characterized by a loving attention to everyday detail. The kneeling woman dipping her hand into the water to check the temperature of the bath-water in the scene depicting the bathing of the infant Mary; the concerned glances between the women surrounding Anna as she lays in labour with Mary; the tender face of the elderly High Priest in Mary's presentation at the Temple: all tell the artists' humanity.


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